RAW MIXES REAL RESULTS

[Format] Landscape 16:9 gig cover, high-contrast grayscale duotone photograph with a heavy grain overlay. Desaturated monochrome, vignetted, gritty film texture. No watermark, no personal names. [Layout] A full-bleed monochrome photograph with no panels, plates or borders — the whole canvas is the image, softened by a dark vignette at the corners and a speckled film grain laid over everything. A single figure fills the centre-right: long pale hair sweeps across the top-right, and a raised hand with splayed, heavily tattooed fingers covers the face and takes the optical centre of the frame, the fingertips reaching close to the top edge. The bottom-right holds a dark shoulder and jacket. The upper-left is a flat pale grey wall, giving the composition an off-centre balance of empty light grey at the left against the dense figure at the right-centre. The headline sits as two stacked lines across the lower-middle band, laid straight over the photograph and crossing the hand and jaw. [Subject] A person in a tight head-and-shoulders crop, long light hair running off the top and right edges, the face hidden behind a raised hand whose splayed fingers carry small dark line tattoos including star and pentagram motifs across the knuckles. Only a sliver of jaw and cheek and a dark jacket shoulder are visible at the lower-right. Flat ambient light off a pale grey wall behind produces almost no modelling; everything resolves as mid-greys with darker tattoo lines and hair. [Headline] Centred across the lower-middle of the frame: "LAST MONTH'S MIXES" in a heavy white italic grotesque, all caps, spanning roughly seventy per cent of the frame width; directly beneath it a smaller line of the same white italic caps, letter-spaced, reading "LATEST MIXES • REAL CLIENTS • REAL RESULTS" with round bullet separators between the phrases. Both lines sit flat on the photo with no outline, plate or shadow. [Badges] none. [Mood] Monochrome — silver, mid-grey, charcoal and bone white. Raw, understated and anti-polish. At thumbnail size it reads as a grey grainy portrait with two lines of bold white italic type laid across the middle.