Photoshop Mountain Bike Cutout

[Format] Landscape 16:9 gig cover, full-bleed screenshot of an Adobe Photoshop workspace, desktop application chrome, flat and technical, screen-resolution crispness. No watermark, no personal names. [Layout] The whole frame is the application window, edge to edge. A dark charcoal menu bar crosses the very top with small light-grey menu words; directly beneath it an options bar holds a line of tiny tool glyphs, a checkbox and a short label. Under that a pale horizontal ruler runs the full width with faint tick numerals, and a matching vertical ruler runs down the left edge. The right fifth of the frame is a dark palette dock stacked with collapsible panel rows whose tabs read as tiny grey labels; a small floating Paths palette hovers top-right over the document, casting a soft shadow onto the white sheet. The document itself is a pure white canvas filling roughly the remaining three-quarters of the frame, bordered by a hairline grey rule, with a dark pasteboard strip beyond its right and bottom edges. [Subject] Centred on the white canvas, an isolated hardtail mountain bike in flat side profile, front wheel to the right, filling about four-fifths of the canvas width: silver-grey alloy frame with a slim graphic band along the down tube, black knobbly tyres with small pale sidewall lettering, a pale gold and orange suspension fork, black saddle and flat bar with orange hoses looping forward, silver spokes, black crankset. A thin dashed marching-ants path hugs the entire silhouette, running just outside the tyre tread and scalloping in around every spoke, the pedals, the fork crown and the bar ends. Even shadowless light; the bike reads as a clean cut-out on the white sheet. [Headline] No cover headline, only interface micro-text in small dark grey sans, unreadable at thumbnail size: eight menu words across the top bar reading roughly Image, Layer, Type, Select, Filter, View, Window, Help; the checkbox label Auto-Add/Delete; small numerals along the top and left rulers; a floating panel titled Paths with one highlighted blue row reading Path 1; and a column of stacked palette tabs down the right dock. [Badges] The Adobe Photoshop application supplies every mark: its dark charcoal menu and options chrome, the tool-icon strip with the pen and path-selection glyphs among them, and the Paths palette with its row of tiny alignment glyphs along its base. No other logos appear. [Mood] Cool, technical and quiet: charcoal chrome, a large white sheet, a silver frame with small orange and gold accents at the fork, hub and bar. At thumbnail size the bright white document and the outlined bike are the entire read.