Before and After Gig Cover

[Format] Landscape 16:9 gig cover, photographic diptych with hand-drawn white annotation layered over it, low-fi indoor snapshot finish, slightly grainy. No watermark, no personal names. [Layout] A single hard vertical seam splits the frame into two equal photographic panels that butt together with no gutter, border or dividing rule; the join is legible only because the two rooms differ. The left panel is a domestic interior: heavy grey vertical curtains, a brown upholstered sofa, a seated figure low in the frame. The right panel is a bathroom: beige floor-to-ceiling tile under warmer ceiling light. Two small rounded label pills and two thin curved white arrows are the only designed elements. The first pill sits in the upper middle of the left panel, the second in the lower middle of the right panel, and each has a thin curved arrow beside it sweeping toward the centre of its own panel, so the pair of arrows mirrors an S across the seam. All overlays sit flat on the photographs with no drop shadows. [Subject] Left panel: a young man in his early twenties, short dark hair, thin wire-framed glasses, a loose grey printed t-shirt, slouched back on the sofa with a small white rabbit resting on his lap; he looks down and away, chin tucked. Right panel: a lean, heavily muscled shirtless man with a short dark beard and slicked-back hair, grey sweatpants at the waist, taking a mirror selfie with a black phone held at chest height; his torso fills the panel and he looks down at the screen. Both are cropped at roughly mid-thigh and lit only by available room light, flat and cool on the left, warm and raking on the right. [Headline] Two words only, one per panel, in a small bold sans-serif, sentence case, each about a twenty-fifth of the frame height: "Before" in dark navy on a soft translucent white rounded pill in the upper middle of the left panel, and "After" in white on a smoky dark translucent rounded pill in the lower middle of the right panel. The only other type is an incidental small rectangular print block across the grey t-shirt's chest and a worn yellow legal pad on the desk edge. [Badges] none — no logos, star ratings or seals; the arrows and pills are the only graphics on the cover. [Mood] Cool domestic grey and brown on the left against warm beige tile and skin on the right, held together by plain white hand-drawn annotation. It is deliberately unpolished, so at thumbnail size it reads as a transformation claim first and as a pair of snapshot photos second.