Before After Studio Collage Gig Cover

[Format] Landscape 16:9 gig cover, studio-photography before/after collage. Sharp photographic finish with high contrast. No watermark, no personal names. [Layout] The frame is divided into four equal quadrants by thick black rules, with a small black ring-and-dot node sitting exactly where the two rules cross at the centre. Top-left quadrant: the full studio scene - a cyclist seated on a cargo bike in front of a white seamless backdrop, with a dark brick wall visible along the left edge. Top-right quadrant: the identical cyclist and bike, same pose and framing, but on a pure white cut-out field with nothing behind. Bottom-left quadrant is itself split vertically into two thinner panels: the left shows a woman standing against a hot-pink seamless backdrop, the right shows the same woman in the same pose cut out on white. Bottom-right quadrant holds a loose 2x2 cluster of product cut-outs on white - amber tortoiseshell sunglasses upper-left, a black-and-pink mesh cap upper-right, a second pair of amber sunglasses lower-left, and a large silver chronograph wristwatch lower-right. Every quadrant keeps the same measured, grid-locked geometry and the same white grounding. [Subject] Top half: a bearded man in his forties, beanie, dark hoodie with a short block wordmark across the chest, cargo shorts and knee pads, seated astride the bike with both feet planted, shown full body, lit soft and even from the front. Bottom-left panel: a young woman with long wavy blonde hair under a black wide-brim hat, black sleeveless top, blue jeans and heeled boots, standing hands on hips, full body, flat bright studio light. [Headline] No headline block. The only lettering is a short bold condensed wordmark across the hoodie chest and a small brand decal on the bike frame; both are private marks, so keep their scale, weight and one-line shape without reading them aloud. [Badges] None. [Mood] Studio-neutral palette of white, black and brick grey, punched by the fuchsia pink panel and the warm amber of the sunglasses. Controlled and comparison-driven; the black cross and centre node read instantly as a before/after quadrant diagram even at thumbnail size.